Sophie’s role: Draughtsperson Designer: Dan Hennah Supervising Art Director: Nial Moroney Sophie worked primarily on the studio set-builds for the Witzend Castle Sets and on Iracabeth’s Castle.   All copyright for this project owned by Disney.

Sophie’s role: Set Dec Draughtsperson Set Decorator: Tina Jones Set Dec Art Director: Georgia Warner Whilst working in the Set Decoration department of Assassin’s Creed, one of Sophie’s tasks was to generate ideas and map out detailed construction instructions for … Continue reading →

Trinity College of Music Greenwich Theatre, London 2005 Director: Pete Harris Lighting Designer: David Holmes Movement Director: Ayse Tashkiran Ideas for use of space: raked circular ring, sloping diagonally off-centre, maximising the appearance of convex curves and inner rimmed crescent … Continue reading →

Trinity College of Music Greenwich Theatre, London 2005 Director: Pete Harris Lighting Designer: David Holmes Movement Director: Ayse Tashkiran The archway gives a background surface to downstage sections and is capable of dividing up the playing space, creating the impression … Continue reading →

Architectural Installation Canterbury Court, London, 2003 Concentrating on the use of asymmetry to create the illusion of movement, direction, perspective and depth. Image showing a flock of oragami birds situated beyond a giant hyperbolic curve, producing a mirage of shadows … Continue reading →

George Wood Theatre, London 2002 Physical exploration of a shipwreck in space. Costume sketches for performers who hatched out of giant suspended and suppurating cocoons, which gradually began to close in on their space.

George Wood Theatre, London, 2003 Created in collaboration with Holly Neville Live Art / Multi-Media performance installation showing humans as commercial clones.